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Announcing our Photo Lab, now available for film processing, scanning, and a whole new set of print services
Announcing our Photo Lab, now available for film processing, scanning, and a whole new set of print services

Canon EOS R5 II Mirrorless Camera with RF 24-105mm f/4 L IS USM Lens

by Canon
Original price $0.00 - Original price $0.00
Original price $0.00
$5,399.00
$5,399.00 - $5,399.00
Current price $5,399.00
SKU 11339
Minimum quantity allowed is .
Maximum quantity allowed is .
The product can be bought in quantity increments of .

The Canon EOS R5 Mark II

The EOS R5 Mark II is a worthy successor to the incredibly versatile EOS R5 bringing a host of new features that make this the most powerful EOS 5 series camera ever.  It starts with a brand-new 45MP sensor that is back illuminated and stacked for blazingly fast read-out speeds that allow for a 30 fps electronic shutter, then builds on that with major focus improvements, increased video capabilities, and so much more.

DIGIC ACCELERATOR

The DIGIC Accelerator chip is a completely new front-end processor developed by Canon to supplement the power of the proven DIGIC X processor.  The DIGIC Accelerator handles the processing that makes so many of the new features of this camera possible, allowing the DIGIC X chip to focus solely on image processing, again contributing to incredible speed.  The DIGIC Accelerator processes large volumes of data directly from the image sensor for actions like AF detection to exposure metering calculations that enable eye-control focus, subject identification and tracking, and even deep learning with features like neural upscaling and noise reduction.

TOTALLY NEW SENSOR

Even though the pixel count is the same as the EOS R5, this is a completely new 45MP sensor design.  This new full-frame sensor is stacked and back-illuminated allowing for incredible electronic shutter performance of 30 fps RAW or full-resolution JPEG still images.  Sensor read-out speeds are dramatically increased, significantly reducing rolling shutter distortion.  Pre-continuous shooting is now possible in electronic shutter mode, when the shutter is pressed halfway the camera begins capturing images, and when fully pressed, the previous ½-second of images are written to the memory card. 

A black camera with a round lens

 

TIME TO FOCUS

Autofocus has been significantly updated on the EOS R5 Mark II with features like subject tracking which it shares with the new flagship EOS R1.  Subject tracking allows you to maintain focus on a subject even when they are obscured briefly while shooting.  And, for even faster positioning of your active AF Area, the R5 Mark II adds Canon’s Eye Control AF -  even more advanced than the Eye Control in the EOS R3 camera.  Once you calibrate the viewfinder to your eye, just look where you want to focus, and the AF Area will move there when you press the AF activation button.

A hand holding a large lens

ACTION PRIORITY

Thanks again to the increased camera processing power of the DIGIC Accelerator chip, we have developed a new AF mode called Action priority.  This new focusing technology selects subjects according to movement and other factors so you always get a great action shot!  This feature works with three sports at the moment, soccer, volleyball, and basketball.  With Action priority the camera can recognize and track specific people, and takes into account ball tracking, movement tracking, eye-control AF and more to help ensure you get the action shot you want when everything is moving so fast.

Action Priority

 

GET CINEMATIC

With its 45MP sensor, 8K video up to 60 frames per second can be recorded internally, to the camera’s CFexpress card (sold separately).  A new menu now includes Cinema EOS terminology, making it even easier for users to access and understand the video features of this camera, and be easily integrated into video productions where Cinema EOS cameras may be used like the EOS C70 or EOS C400.

 

RAW video can be recorded at 8K resolution, and there’s now an S-RAW setting for 4K RAW video recording.  RAW video is now 14-bit recording, for even greater range of tonalities.  For users who don’t need RAW video, MP4-type video can be recorded in a multitude of possible file types and resolutions, from Full HD (at up to 240 frames per second), 4K at up to 120 frames per second with sound and 8K.  Any of the “Fine” options record oversampled video, for even greater sharpness and detail.  Canon Log 2 and C-Log 3 are available.  And, the R5 Mark II adds features like a full-size HDMI port on the camera, Waveform monitors, and up to 24-bit, 4-channel audio recording.

A hand holding a camera

MORE POWER

With all of the enhancements to the new EOS R5 Mark II, it requires a little more power than the previous EOS Mirrorless cameras, and therefore ships with a new, higher amperage battery, the LP-E6P.  This battery is the same size and shape of previous LP batteries, but is easily distinguished from older models by featuring a white stripe and white Canon logo.  This new battery can be used in older Canon mirrorless and even DSLR cameras, but will require a camera firmware update to do so.   

A black battery pack for a canon camera

* Canon LP-E6N and LP-E6NH battery packs can be used in the R5 Mark II camera, but with some significant limitations - - especially Wi-Fi connection, and for video recording.  Also, continuous Drive speeds with mechanical or first-curtain electronic shutter will be reduced.  This applies to any battery in any of the optional battery grips as well.

 

BRIGHT AND CLEAR EVF

A new Electronic viewfinder is now the same 0.5-inch 5.76 million dot OLED EVF you would find in the EOS R3 with approx. 100% coverage, 0.76x magnification, and an eyepoint of approx. 24mm.  Some of the EVF lenses inside the body are sealed  in an airtight structure making it difficult for the viewfinder to fog up. 

A camera with a screen showing a motorcycle on the road

WEATHER RESISTANCE

The EOS R5 Mark II is dust- and weather-resistant, with the same performance as the EOS R5, even when using one of the new optional grips. 

Weather Sealing

Weather Sealing on Battery Grip

  

DUAL CARD SLOTS FOR CFexpress** and UHS-II SD Memory Cards***

Whether you are shooting photos every day, or are recording 8K videos, the EOS R5 Mark II camera can capture an incredible amount of images through its super high-speed CFexpress dual card slots. Plus a UHS-II SD*** card slot is also provided. The two card slots can be utilized for separate recording of still photos and movies, main and proxy recording of movies, and recording to multiple cards.

DUAL CARD SLOTS

** Type B compatible.  With firmware v.2.0.0 and above, camera can accept CFexpress cards over 2TB in capacity.  With these cards, the camera can write to the first 2TB (only) of total card capacity.
*** Some types of data cannot be saved on the SD memory card.

 

IMPROVED IMAGE STABILIZATION 

               

Image Stabilization

The EOS R5 Mark II has the same 5-axis in-body stabilization as the original R5 that provides optimal image stabilization, and uses coordinated IS in conjunction with RF lenses that have built-in IS.  Roll operation range is now approx. 2xthat of the EOS R3, and when a compatible lens is used*3, the CMOS sensor suppresses blurring at the periphery of the image, and even at the center.  Additionally, the IS algorithm has been updated and a new mechanical design now allows for 8.5 stops of coordinated correction at the center, and 7.5 stops at the periphery*1*2*3 

*1: Based on the CIPA 2024 standard. In yaw, pitch, and roll directions. Lens names: (TBD) 
*2: Excluding Cinema lenses.
*3: For compatible lenses, please refer to Supplemental Information for EOS R5 Mark II on Canon's website. 


 

OPTIONAL GRIPS

The EOS R5 Mark II has three optional grips that provide additional battery power and exciting new functionality:

 

Battery Grip BG-R20:

Allows for 2 LP batteries and provides controls for vertical shooting, including an improved multi-controller position.

Canon Battery Grip BG-R20


Battery Grip BG-R20EP:

Allows for 2 LP batteries and provides controls for vertical shooting and includes a 2.5G Base-T high-speed ethernet port for fast-paced tethered shooting.

Cooling Fan Grip CF-R20EP:

Allows for 2 LP batteries and provides a multi-speed fan to help keep the camera cool in challenging video production situations.

Canon Cooling Fan Grip CF-R20EP

In The Box:

Canon EOS R5 II Mirrorless Camera
Canon RF 24-105mm F4 L IS USM Lens
Canon ER-kE Eyecup
Canon ER-SC3 Shoe Cover
Canon R-F-5 Camera Cover
Strap ER-EOS R5 Mark II
Canon LC-E6 Battery Charger
Canon LP-E6P Battery
Battery Pack Cover
Canon IFC-100U Interface Cable
Power Cord

Glazer's SKU 11339
Manufacturer Canon
MFG SKU 6536C012
In The Box EOS R5 Mark II Body RF24-105mm F4 L IS USM Lens Eyecup ER-kE Shoe Cover ER-SC3 Camera Cover R-F-5 Strap ER-EOS R5 Mark II Battery Charger LC-E6 Battery Pack LP-E6P Battery Pack Cover Power Cord Interface Cable IFC-100U
Product Specs

Canon EOS R5 II Mirrorless Camera Specs

 

Туре

TypeDigital interchangeable lens mirrorless camera
Image ProcessorDIGIC X (with DIGIC Accelerator co-processor)
Recording MediaCard 1: CFexpress memory card
• Type B: Card slot
• CFexpress 2.0 and VPG400 supported
• Up to 2 TB is supported (a card exceeding 2 TB is handled as a card of 2 TB).
Card 2: SDXC/SDHC/SD memory card
• Compatible with UHS-ll
• Eye-Fi cards and MultiMediaCards (MMC) not supported
Compatible LensesCanon RF lens group (including RF-S lenses)
When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)
Lens MountCanon RF mount

Image Sensor

TypeCanon designed full-frame back-illuminated stacked CMOS sensor (compatible with Dual Pixel CMOS AF)
Effective PixelsApprox. 45 megapixels
Screen SizeApprox. 36.0 × 24.0 mm
Pixel UnitApprox. 4.40 um square
Total PixelsApprox. 50.3 megapixels
Aspect Ratio3:2 (Horizontal: Vertical)
Color Filter SystemRGB primary color filters
Low Pass FilterInstalled in front of the image sensor, non-detachable
Dust Deletion Feature(1) Self Cleaning Sensor Unit
• Removes dust adhering to the low-pass filter.
• At power off only / Enable / Disable. Performed automatically (taking about approx. 2 sec. as indicated on the screen) or manually (taking about approx. 8 sec. as indicated on the screen).
• After manually activated cleaning, the camera will automatically restart (Power OFF to ON).
• When [Multi Shot Noise Reduction], [Multiple exposures], or [HDR mode] is set, [Clean now] and [Clean manually] cannot be selected.
(2) Dust Delete Data acquisition and appending
• The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
• The dust coordinate data appended to the image is used by the EOS software to automatically erase the dust spots.
• Not available with RF-S/EF-S lenses. Setting may not be possible depending on the combination of functions (see the menu screen).
(3) Manual cleaning (by hand)

Recording System

Recording FormatCompliant to Design rule for Camera File system 2.0 and Exif 2.31*.
*Supports time difference information.
Image FormatJPEG, HEIF, RAW / C-RAW / Dual Pixel RAW/ RAW burst (CR3), C-RAW (Canon original) ;
Movies: ALL-I (Time-lapse video only), IPB (MP4)
FolderWhen a card is inserted, the following folders are created automatically. DCIM, CRM, XFVC, and
MISC folders
Folder ActionsSelect folder, Create folder, Change folder name

Folder Name

Still PhotosDCF standards compliant.
The following folder is created automatically in the DCIM folder.
• Default: EOSR5
*This can be changed to any character string (5 characters).
MoviesXF-HEVC S / XF-AVC S format REEL_*** in XFVC folder A normal movie file (MP4) is saved. REEL **** in CRM folder A RAW movie file (CRM) is saved. In each REEL_**** folder:
*Up to 999 files can be saved in one folder. When [Add News Metadata: On], an XML file is saved to the same location as the movie file in the card after movie recording.
News MetadataXF-HEVC S / XF-AVC S format
News Metadata is saved in the XMLTAG folder in the currently selected card.
*Up to 100 XML files can be saved in one XMLTAG folder.

Movies:

ItemDetails
(1) Camera index2 characters from A to Z. " " can also be selected for the second character.
A different character is assigned for each camera.
(2) Reel number4-digit number from 0001 to 9999. A different number is automatically assigned to each card. Any initial value can be specified. When the card is replaced with a new card*, the number is incremented by one when recording for the first time.
* Purchased card or card immediately after initialization
(3) Clip number3-digit number from 001 to 999 with "C" added before it so that it becomes C001 to
C999. If 999 is exceeded, "C" changes to "D." A clip number is automatically assigned to each clip. Any initial value can be set.
(4) Codec typeA is assigned automatically if the codec type of the main movie is AVC, H if it is HEVC, and X if it is RAW.
(5) Shooting start dateThe starting date (year, month, and day) of the clip is assigned automatically.
(6) Shooting start timeThe starting time (hours, minutes, and seconds) of the clip is assigned automatically.
(7) Random IDAn ID is assigned randomly for each clip, and is 2 characters from A to Z and 0 to 9.
(8) User definedUser settable 5 characters from A to Z and 0 to 9. The default is CANON.
(9) Stream number3-digit number from 001 to 999. This is assigned to files that have been split.
(10) Proxy"_Proxy" is appended automatically to a proxy movie file.

* Up to 999 movie files can be recorded to one card.

* The file name of the proxy movie is the same as that of the main movie except “_Proxy” of (10).

* The file names when [Rec. to multiple] is set are the same for both cards 1 and 2.

* Clip number can be assigned up to D999. (Since no later number can be assigned, movie recording is not possible.)


News Metadata:

News MetadataNewsML-G2 standard compliant
When [Add News Metadata: On] is set, news metadata (XML file) of the movie associated with
the set news metadata is generated.
* The name of the generated XML file is the same as the name of the movie file (only the extension differs).
* The news metadata (XML file) is saved to the same location as the movie file in the card after movie recording.
* When news metadata has been set from Content Transfer Professional, the news metadata set from the card inserted in
the camera is disabled (that of the app has priority).

Image type / recording format / extension:

Image type / recording formatExtension
Still PhotoJPEG.JPG
HEIF.HIF
RAW.CR3
MoviesC-RAW.CR3
RAW.CRM
XF-HEVC S YCC422 10 bit
XF-HEVC S YCC420 10 bit
XF-AVC S YCC422 10 bit
XF-AVC S YCC420 8 bit
.MP4
 News Metadata"'.XML

*1: When MP4 movie is recorded with [Add CP file: Enable], “.CPF” file will be created.

File Numbering

File Numbering Methods• Continuous numbering The numbering of captured images continues even
after you replace the card.
• Auto reset When you replace the card, the numbering will be reset to start from 0001. If the new card already con-
tains images, the numbering will continue from the last recorded image in the card.
Manual ResetResets the file number to 0001, and creates a new folder automatically.
* When manually resetting the file number, folders can also be renamed.
Clip Number• Continuous numbering
The numbering of captured clips continues from the last recorded clip even after you replace the card.
• Auto reset
When you replace the card, the numbering will be reset to start from 001. If the new card already contains clips, the
numbering will continue from the last recorded clip in the card.

Recording Media

Recording MediaCard 1: CFexpress memory card
• Type B: Card slot
• CFexpress 2.0 and VPG400 supported
• Up to 2 TB is supported (a card exceeding 2 TB is handled as a card of 2 TB).
Card 2: SDXC/SDHC/SD memory card
• Compatible with UHS-II
• Eye-Fi cards and MultiMediaCards (MMC) not supported
Card Access IndicatorAccess lamp lights up in red or blinks in red
Read Error Warning• The error warning is displayed in the viewfinder and on the screen
• Shutter release lock
Card Formatting• Normal formatting
• Low-level formatting

Still Photo Recording

Image SizeRAW: RAW / C-RAW JPEG / HEIF: L/M/ S1/S2
HEIFHEIF recording is available when [HDR shooting (PQ): HDR PQ] is set.
*Conforms to MIAF (multi-image application format) standards.
C-RAWRAW images conforming to the CR3 format that have smaller file sizes.
* RAW offers better image quality than C-RAW.
* Conversion from RAW to C-RAW or C-RAW to RAW is not possible.
* Simultaneous recording of RAW and C-RAW is not supported.
Dual Pixel RAW
shooting
Not supported
JPEG/HEIF
image quality
The degree of compression is user-configurable in a range of 1-10 for each image size
(L, M, S1, and S2).
*The number of shots available at the specified JPEG or HEIF image quality level is displayed on the camera.
Still photo cropping / aspect ratioFull-frame / 1.6x (crop) / 1:1 (aspect ratio) / 4:3 (aspect ratio) / 16:9 (aspect ratio)
*Switching between [Shooting area: Masked/Outlined] is possible

Movie recording size and resolution

Movie Recording SizeResolution (Aspect ratio)
RAW8192 × 4320 (Approx. 17:9)
SRAW4096 × 2160 (Approx. 17:9)
8K-DCI8192 × 4320 (Approx. 17:9)
8K-UHD7680 × 4320 (16:9)
4K-DCI4096 × 2160 (Approx. 17:9)
4K-UHD3840 × 2160 (16:9)
2K-UHD2048 * 1080 (Approx. 17:9)
Full HD1920 × 1080 (16:9)

Dual Shooting

Still & movieDual shooting (still & movie): On/Off
* When using LP-E6P Battery / DR-E6P Power Adapter
Drive mode: High speed / Low speed / Single shooting
* High speed shooting: Max. approx. 7.5 shots/sec. (NTSC), Max. approx. 6.2 shots/sec. (PAL)
* Low speed shooting: Max. approx. 5.0 shots/sec. (NTSC), Max. approx. 4.1 shots/sec. (PAL)
JPEG quality: 1-10 (settable in 10 levels)
MoviesMain recording format: XF-AVC S YCC420 8 bit Movie recording size
• Resolution: Full HD (Normal)
• Frame rate: 29.97 (NTSC) / 25.00 (PAL) fps
• Compression method / LGOP
Still PhotosRecording pixel count: 7680×4320 Aspect ratio: 16:9
Recording image type: JPEG only
* Movies are recorded to card 1, and still photos are recorded to card 2 (a card needs to be inserted in each slot).
* A movie does not stop during still photo shooting.
* Still photo shooting during movie recording is possible by shutter button, wired remote controller, wireless remote controller, and touch control.
* The settings during movie recording are applied to still photos.
* AF/AE operates with the settings suitable for movie recording. The color tone may differ from that of normal still photos depending on the timing of still photo shooting.
Restrictions with dual shooting* With Movie crop setting or when using an RF-S / EF-S lens and RF5.2mm F2.8 L DUAL FISHEYE, the
<A+> mode cannot be set.
* Flash photography, anti-flicker shooting, time-lapse movie shooting, HDR shooting (PQ), and movie digital
IS are not available.
* The release time lag may be longer than when shooting normal still photos.
* When the shutter speed is slow, the release time lag (of still photos) may become longer or the continuous
shooting speed may be slower than when shooting normal still photos.
* Custom Picture cannot be set (shooting is with Picture Style).
* Focus breathing correction, chromatic aberration correction, and diffraction correction are not possible.
* Upscaling, resizing, and cropping of shot still photos are not possible.
* AF point information is not recorded for still photos.
* High Frame Rate (movie), Auto Level, and HDMI RAW output are not available.
* The internal temperature of the camera rises faster than normal Full HD movie recording.

White Balance

Settings(1) Auto (Ambience priority/White priority)
(2) Daylight
(3) Shade
(4) Cloudy*
(5) Tungsten light
(6) White fluorescent light
(7) Flash
(8) Custom (Custom WB)
(9) Color temperature*2
*1: Effective also in twilight and sunset.
*2: With an EL / EX-series speedlite having the color temperature information transmission feature, the color temperature setting changes to match the color temperature when the flash is fired. Set to approx. 6000K if the flash unit does not have the color temperature information transmission feature.
* White balance can be adjusted during movie recording.
Auto White BalanceOption between ambience priority and white priority settings, using SET button
White Balance ShiftBlue/amber bias: $9 levels
Magenta/green bias: +9 levels
• Shifted from the color temperatue of the current WB mode.
• Blue/amber and magenta/green shift can be set at the same time.
WB Bracketing available, up to +3 levels Blue/amber or magenta/green, via Quick Control Dial

Viewfinder

TypeOLED color electronic viewfinder; 0.5-inch, approx. 5.76 million dots
CoverageApprox. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 24mm eyepoint).
Magnification / Angle of ViewApprox. 0.76x / Approx. 35.5 degrees (with 50mm lens at infinity, -1 m-1)
Eye PointApprox. 24mm (at -1 m-' from the eyepiece lens end)
Dioptric Adjustment
Range
Approx. -4.0 to + 2.0 m.' (dpt)*
*1: Dioptric adjustment lock mechanism
Viewfinder Information(1) Maximum burst
(2) Possible shots/Sec. until self-timer shoots
(3) Focus Bracketing/ Multiple-exposure/HDR shooting/Multi Shot Noise Reduction/Bulb time/Interval
timer
(4) Shooting mode
(5) AF method
(6) AF operation
(7) Image quality
(8) Card
(9) Drive mode
(10) Metering mode
(11) No. of remaining shots for focus braketing, multiple exposures, or interval timer
(12) Electronic level
(13) Movie recording time available
(14) Battery level
(15) Image Stabilizer (IS mode)
(16) Histogram (Brightness/RGB)
(17) Quick Control button
(18) Anti-flicker shooting
(19) White balance/White balance correction
(20) Picture style
(21) Auto Lighting Optimizer
(22) Still photo cropping / Aspect ratio
(23) AF point (1-point AF)
(24) AEB/FEB
(25) View Assist
(26) HDR PQ
(27) Flash ready / FE lock / High-speed sync
(28) Electronic shutter
(29) Touch shutter / Create folder
(30) AE lock
(31) Shutter speed / Multi-function lock warning
(32) Aperture value
(33) Wi-Fi® function
(34) Wi-Fi® signal strength
(35) Bluetooth® function
(36) Exposure simulation
(37) Magnify button
(38) ISO speed
(39) Highlight tone priority
(40) Exposure compensation
(41) Exposure level indicator

Autofocus

Focus MethodDual Pixel CMOS AF
Cross-type AFSupported
* Dual Pixel CMOS AF has been vertical-line detection only with previous models, but the K495 can perform not only vertical-line detection but also horizontal-line detection by rotating the pupil division direction of the Gb pixels of the CMOS sensor by 90 degrees.
* Cross-type AF functions under the conditions indicated by "Yes" in the table below during still photo shooting (not supported during movie recording).
* Cross-type can be performed in the whole focusing area.
* Cross-type does not function (vertical-line detection only) during movie recording, when using Preview AF, when using Focus guide, when the image flickers under fluorescent lighting, LED lighting, or other flickering light sources, and when operating the SA control ring of R100mm F2.8 L MACRO IS USM.
Number of AF zones available for
Automatic Selection
AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%
(100% × 100% AF coverage in Face Detect + Tracking AF; coverage can vary, depending upon lens being used)
Stills: Max. 1053 zones (90 × 65)
Movies: Max. 975 zones (39 x25)
Selectable Positions for AF PointAF area: Horizontal: Approx. 90% x Vertical: Approx. 100%
Stills: Max. 5850 positions (78 × 56)
Movies: Max 4500 positions (90 × 50)
* May vary depending on settings..
Focusing brightness range
(still photo shooting)
EV -7.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, and ISO 100)
* Except RF lenses with a Defocus Smoothing (DS) coating.
Focusing brightness range (movie recording)4K30p: EV -6.5
8K: EV -4.5
4K: EV -3.5
Full HD: EV -4.0
(with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, ISO 100, and 29.97 / 25.00 fps.)
* Except RF lenses with a Defocus Smoothing (DS) coating.
Available AF Areas• Spot AF
• 1-point AF
• Expand AF area: Above/below/left/right
• Expand AF area: Around
• Flexible Zone AF 1
• Flexible Zone AF 2
• Flexible Zone AF 3
• Whole area AF
• Whole area tracking OFF Spot AF
• Whole area tracking OFF 1-point AF
• Whole area tracking OFF Expand AF area: Above/below/left/right
• Whole area tracking OFF Expand AF area: Around
Available Subject
Detection
• Auto
• People
• Animals (dogs / cats / birds / horses)
• Vehicles (motorsports cars or motorcycles / aircraft / trains)
* Certain types of animals or vehicles may not be detected, depending on shape and appearance
Eye DetectionAuto:
• Selects the eye closer to the camera (as detected from the angle of the face).
• At the same distance from the camera, selects the eye closer to the center of the image.
Right Eye:
• Prioritizes the subject's right eye.
Left Eye:
• Prioritizes the subject's left eye.

Exposure Control

Metering ModesReal-time metering from CMOS image sensor (6144 96x64] metering zones)
(1) Evaluative metering (AF point-linked)
(2) Partial metering (approx. 10.0% of the area at the center of the screen)
(3) Spot metering (approx. 5.0% of the area at the center of the screen)
(4) Center-weighted average metering
Metering RangeEV -3 to 20 (at 73°F/23°C, ISO 100) (Still Photo Shooting)

Exposure Modes:

Shooting ModeName
A+Scene Intelligent Auto
FvFlexible-priority AE
PProgram AE
AvAperture-priority AE
MManual exposure
TvShutter-priority AE
BULBBulb exposure
C1/C2/C3Custom shooting

Shutter

TypeElectronically controlled focal-plane shutter
(1) Electronic first curtain
(2) Mechanical shutter
(3) Electronic shutter*
*Cannot be used in conjunction with the following functions: flash photography, HDR shooting, multiple exposures, Multi Shot Noise Reduction, AEB, HDR PQ, anti-flicker shooting, Dual Pixel RAW shooting, Digital Lens Optimizer [High].
* A shutter release sound is not generated. However, note that the sounds other than the shutter release sound (aperture, focusing lens drive sound/electronic sound, etc.) may be generated.
* In electronic shutter shooting under conditions such as flash firing by other cameras or with fluorescent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image.
Shutter SpeedsMechanical / 1st-curtain Electronic shutter:
1/8000th sec - 30 seconds, in 1/3 or ½-step increments
Electronic shutter:
1/32,000th sec - 30 seconds, in 1/3 or ½-step increments
X-sync SpeedMechanical Shutter: 1/200 sec.
Elec. 1st-curtain: 1/250 sec.
Shutter ReleaseSoft-touch electromagnetic release
Self Timer10-sec. delay, 2-sec. delay, Continuous

Image Stabilization (IS mode)

Still Photo ISIn-body IS operation can be selected when using a non-IS lens.
• Always on
• Only for shot (no stabilization in viewfinder/LCD screen between shots)
Coordinated IS when used with Canon RF or RF-S lenses having optical Image Stabilization

External Speedlite

Accessory ShoeCanon Multi-function accessory shoe
• Optional Canon AD-E1 adapter required for conventional shoe-mount flashes and accessories
E-TTL balanceAmbience priority, standard, flash priority
Flash Exposure
Compensation
$3 stops in 1/3- or 1/2-stop increments
Continuous flash controlE-TTL each shot / E-TTL 1st shot