Skip to content
Announcing our Photo Lab, now available for film processing, scanning, and a whole new set of print services
Announcing our Photo Lab, now available for film processing, scanning, and a whole new set of print services
Atomos Ninja Ultra 5.2" 4K HDMI Recording Monitor

Atomos Ninja Ultra 5.2" 4K HDMI Recording Monitor

by Atomos
$799.00
$799.00 - $799.00
$799.00
$649.00
$649.00 - $649.00
$649.00
SKU 95667
Minimum quantity allowed is .
Maximum quantity allowed is .
The product can be bought in quantity increments of .

Go Above and Beyond

Everything you’d expect from a Ninja, but designed to be your gateway to the cloud. Perfect for mirrorless and cinematic cameras.

First Impressions

Sydney-based production company Redscope Films has been using the new Ninja Ultra with Atomos Connect. “Atomos Cloud Studio has become an incredible tool for us; while filming we are able to connect with our clients and provide them with live feedback,” says Creative Director Adam Dionisio.

Choose Your Workflow

There are two ways to use Ninja Ultra. On its own, it’s the most powerful Ninja ever. Add the affordable Atomos Connect, and it’s a gateway to amazingly fast and productive cloud workflows like camera to cloud and Atomos Edit. You can even edit your project in the cloud and publish to social media within minutes of shooting the action. Choose Ninja Ultra if you’re not ready for the cloud quite yet. And if you want to get started with cloud workflows, Ninja Ultra and Atomos Connect is the perfect combination.

Essential Connectivity

Atomos Connect brings essential network and SDI connectivity to Ninja Ultra and introduces you to super-efficient cloud workflows. It fits snugly to the rear of the Ninja Ultra, letting you connect to SDI cameras, convert from SDI input to HDMI output and use Wi-Fi 6E and 1GbE Ethernet. It comes with AirGlu wireless synchronization and supports AtomRemote App. It’s the most practical and affordable way to stream, transfer and edit in the cloud.

Capture simultaneously to 4K 60p ProRes RAW and HD 60p H.265

Record full-quality files in ProRes RAW up to 4K 60p while at the same time recording HD 60p to H.265. It’s the best of both worlds. Boost your productivity by storing your definitive copy in ProRes RAW ready for your post-production workflow, and use your H.265 copy for your camera to cloud activities.

Original camera filenames over SDI

Automatic matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony cameras.

Previously, camera to cloud relied on matching filenames with hero and proxy files made by AtomOS. Now, thanks to cooperation with ARRI, Canon, RED and Sony, Atomos C2C files are matched back to the original in-camera (OCF) filenames. This gives a joined-up process when conforming C2C or SSD proxy files in the edit with camera files. On camera or on Atomos: 
it’s your choice.

Record higher quality media. Publish instantly.

The new 4K camera to cloud mode lets you record and upload much higher quality H.265 video with higher framerates. H.265 files are half the size of H.264 media. They’re small enough for camera to cloud workflows but more than good enough for immediate use on social media, sports reporting or news gathering. It’s the fastest way to get your video in front of your viewers (requires Atomos Cloud Studio subscription). Also a super useful mode to record proxies at up to 4K 60p to match an original in-camera (OCF) file.

Supercharge your internet

With lower latency, higher throughput and a more stable connection, Wi-Fi 6E boosts cloud video workflows. All other Wi-Fi variants share the same two radio frequency bands: 2.4 GHz and 5GHz, but Wi-Fi 6E also occupies 6GHz. Only Wi-Fi 6E devices use this frequency, so they have no competition from legacy Wi-Fi formats.

Wi-Fi 6E is less prone to interference and works over a longer range. All things being equal, users will have at least twice the bandwidth available at a given distance from the transmitter.

The new format also offers lower latency and can make more simultaneous connections to Wi-Fi 6E routers. Wi-Fi 6E is backwards compatible with previous Wi-Fi versions, but its extended capabilities will only be available when connecting to other Wi-Fi 6E equipment

TimeLapse

Set up time-lapse recording and control it from your Ninja Ultra, completely independent of your camera’s controls. Use the Ninja’s screen for accurate visual alignment and its massive removable storage for longer projects.

RecordAssist

Set a time for your recording to start. It’s ideal for covering pre-arranged events when you need to be somewhere else. If you have several Ninjas you can even record in multiple locations simultaneously. It’s also a safer way to cover dangerous locations without risk to you and your colleagues. Finally, it’s perfect for wildlife shooting. Want to capture the action by the riverbank at sunset? Just dial-in the time and come back later.

Multiple Codecs

The new Ninja line includes the following codecs free of charge, giving you more options to choose the ideal codec for your projects.

  • Apple ProRes
  • Apple ProRes RAW
  • H.265
  • DNx (QuickTime)
  • DNx (MXF)* coming later in 2023

The Apple ProRes codec is pre-activated to use out of the box, so you can start shooting immediately. To activate the H.265 and DNx codecs, visit my.atomos.com to register your product, then follow the simple online instructions to activate these codecs for free using an activation token system.

To activate the Apple ProRes RAW codec you need to go to the my.atomos.com portal. There is a small additional step to get the correct activation token and access the codec for free. You simply need to plug in your compatible RAW camera to complete the process. You only need to do this once to unlock this super-flexible and unique codec in perpetuity.

NDI HD TX

NDI is a way to send video over ordinary networks (including Wi-Fi and mobile) in high quality but with remarkably low bandwidth requirements. It’s increasingly used in live production, and now your Ninja Ultra can take part in an NDI environment. The NDI TX option turns your Connect-enabled Ninja Ultra into an NDI source, visible to all other authorized devices on the network.

Paid option. Requires Atomos Connect.

Introducing RemoteView

Atomos RemoteView lets you share what’s on your Atomos screen with other Atomos monitors, as well as with iPads, Macs and Apple TVs wirelessly. You can monitor what’s happening on-set and look through any connected camera taking the shot, from anywhere in the world.

*Requires Atomos Connect.

Up to 4 feeds. Simultaneously.

Remote view doesn’t need expensive hardware and uses the public internet, so it’s global. But Atomos technology ensures there are no delays. You can receive up to four RemoveView feeds on a single screen. It’s all configurable from a simple web interface.

Powered by a unique combination of AtomOS 11 and Atomos Cloud Studio, you can share with the person standing next to you or someone across the globe just as easily.

Watermark feeds. Brand your footage.

For absolute security, you can burn a watermark into each remote video feed, so there’s no risk of copying. You can also brand your footage with your own or your customer’s logo. Or put the movie name, date, type of camera – any information you think will be helpful, burnt into your remote feeds.

Share across the world.

Powered by a unique combination of AtomOS 11 and Atomos Cloud Studio, you can share with the person standing next to you or someone across the globe just as easily.

Pay as you go.

Atomos RemoteView requires Atomos Connect and a subscription to Atomos Cloud Services. It uses Atomos Credits for a simple ‘pay as you go service’.

Enhance your camera

Ninja Ultra can capture RAW HDMI inputs up to 8K at 30fps and simultaneously output a standard viewable video signal via HDMI for devices that don’t support RAW formats. With a versatile 5.2-inch SuperAtom IPS touchscreen for clear images and easy accessibility to the features in AtomOS, Ninja Ultra has a new operating system and user interface.

Comprehensive Monitoring Tools

Ninja Ultra includes comprehensive monitoring tools to help you get the perfect composition and exposure in every shot. Easy-to-use but powerful tools include waveform, focus peaking, false color, zoom controls, custom LUTs, and frame guides. Ninja’s Ultra’s new AtomOS 11 software is simple to update with new features and releases – as well as support for new cameras.

Any camera, any format. Anywhere.

Pair Ninja Ultra equally well with smaller cameras as part of a minimal setup, or with full-size camera rigs on large-scale productions.

Ninja Ultra is made from precision materials, carefully crafted for maximum durability. Weighing only 360g (0.79lbs), you can use it comfortably with a handheld camera. Ninja Ultra includes anti-rotational ⅜ – 16 mount points on the top and bottom. It ships with a ¼ – 20 adaptor for easy mounting on industry-standard equipment from a wide range of manufacturers. 

Features:

  • Brand New OS: New AtomOS 11 - faster, with more features
  • More Codecs Included: 8K ProRes RAW, ProRes, DNxHD & H.265 - all for free
  • Dual Record: Dual 4Kp60 ProRes RAW & proxy recording for offline or Cloud
  • 4K H.265 Recording: Record & upload high bitrate 4K files to the Cloud
  • SDI Cine: Auto matched filenames from ARRI, Canon, RED & Sony cameras
  • Wi-Fi 6E: The best. Faster, lower latency, more stable connection
  • RemoteView: Share live views from your screen over the internet
  • Improved Monitoring: With EL ZONE System exposure and ARRI false color
  • Premium Options: NDI 4K TX
  • Atomos Care360: Premium extended warranty that covers unforeseen damage

In The Box:

Atomos Ninja Ultra 5.2" 4K HDMI Recording Monitor
Battery Eliminator
USB-C PD to 2.1mm DC Power Cable
Limited 1-Year Manufacturer Warranty
Registration Extension: 2-Year

 

*Note: Recording media not included.

Glazer's SKU 95667
Manufacturer Atomos
MFG SKU ATOMNJAU01
Product Specs

Display

Panel TypeIPS-Type LCD
Display Size5.2" / 13.2 cm
Resolution1920 x 1080
Aspect Ratio16:9
TouchscreenYes
Maximum Brightness1000 nits / cd/m2
Bit Depth / Color Support8-Bit+FRC (1.07 Billion Colors)
HDR CompatibilityHybrid Log Gamma
Pixels Per Inch (ppi)427 ppi
Real-Time LUT MonitoringHDR
Image ControlsAnamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, RGB Parade, Screen Markers, Vectorscope, Waveform, Zebra

Inputs / Outputs

Video I/O1 x HDMI 2.0 Input
1 x HDMI 2.0 Output
HDCP SupportNo
Embedded AudioHDMI
Audio I/O1 x 1/8" / 3.5 mm Input
1 x 1/8" / 3.5 mm Headphone Output
Built-In SpeakerNone
Power I/O1 x Barrel Input
Other I/O1 x USB-C
Media/Memory Card SlotNone
File System SupportexFAT
Wi-FiNone
BluetoothNone
Mobile App CompatibleYes: iOS Only
App Name: AtomRemote
*As of August, 2023: Check with manufacturer for the most up-to-date compatibility

Format Support

Video FormatHDMI (8/10/16-Bit 4:2:2)
8K Raw: 30
6K Raw: 60
3.5K Raw: 60
DCI 4K: 60/59.94/50/30/29.97/25/24/23.98
UHD 4K: 60/59.94/50/30/29.97/25/24/23.98
1080p: 120/100/60/59.94/50/30/29.97/25/24/23.98
1080PsF
1080i: 60/59.94/50/30/29.97/25/24/23.98
720p: 60/59.94/50
Gamma CurveARRI Log C, Canon Log, Canon Log 2, Canon Log 3, FUJIFILM F-Log, HDR-HLG, HDR-PQ, JVC J-Log, Nikon N-Log, Panasonic V-Log, Rec709, Sony S-Log, Sony S-Log 2, Sony S-Log 3
Timecode SupportYes

Recording

Pulldown Conversion2:2, 3:2
Camera TriggerHDMI
Pre-Roll RecordFull HD: 8 Seconds
4K: 2 Seconds
Encoding Formatsx
DNxHD
DNxHR
ProRes
Maximum Audio Tracks8
Reference InputNone
Phantom PowerNone

Power

DC Input Power6.2 to 16.8 VDC
Built-In BatteryNone
Battery Type1 x L-Series
Power Consumption30 W

Mounting

Mounting1 x ARRI Anti-Twist 1/4"-20
2 x 3/8"-16 Female

Environmental

Operating Temperature104°F / 40°C

General

Material of ConstructionAluminum, Plastic
Dimensions5.9 x 3.6 x 1.2" / 151 x 91.5 x 31 mm
Weight12.7 oz / 360 g