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Announcing our Photo Lab, now available for film processing, scanning, and a whole new set of print services
Announcing our Photo Lab, now available for film processing, scanning, and a whole new set of print services
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Sony FX3 Full-Frame Cinema Camera

Sony FX3 Full-Frame Cinema Camera

by Sony
$0.00
$0.00 - $0.00
$0.00
$3,899.95
$3,899.95 - $3,899.95
$3,899.95
Image sensor with blazingly fast readout speed

Image sensor with blazingly fast readout speed

The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced color filter array boosts color reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.
High-performance image-processing engine

High-performance image-processing engine

The BIONZ XR™ image-processing engine is designed for high speed, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data-transfer, user-interface, and other camera operations.
High sensitivity, wide dynamic range

High sensitivity, wide dynamic range

The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimizing the sensor's output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops1, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production.
4K High Frame Rate 120fps recording

4K High Frame Rate 120fps recording

You can record full-frame 4K (QFHD) at up to 120fps2 with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time)3. The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting.
Acclaimed cinematic color with S-Cinetone™

Acclaimed cinematic color with S-Cinetone™

The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic color to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction even without post-production grading.  [1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11).
All-Intra internal recording

All-Intra internal recording

In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported4. XAVC S-I recording compresses each frame independently at a high bit rate, up to 600 Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production.  [1] All-Intra (All-I)   [2] Long-GOP  [3] Group of Pictures.
HEVC codec with high compression efficiency

HEVC codec with high compression efficiency

XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes5.
DCI 4K recording in true 24p6

DCI 4K recording in true 24p6

The FX3 allows you to shoot in a wide range of formats to suit your shooting needs. You can also select XAVC S-I DCI 4K (4096 x 2160) format which is often used in cinema shooting. And true 24p (24.00p) can be an option for recording frame rate when you selecting XAVC S-I DCI 4K.

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post-production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K7 workflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).
New S-Log shooting modes for optimized image quality

New S-Log shooting modes for optimized image quality

Three modes are provided for recording with the S-Log3 gamma curve. Cine EI5, used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Eine EI Quick5 simplifies setup by automatically switching the camera's base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709, 709tone and ITU709 have been added to the available LUT presets.
Proxy recording for more efficient editing workflow

Proxy recording for more efficient editing workflow

Low-bit-rate HD proxy files can be recorded simultaneously with higher-bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720)8.
Expand your vision with Creative Look

Expand your vision with Creative Look

Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favorite settings as a custom look.
10-bit HLG picture profile

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout, and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (color grading required) [2] Instant high-quality image (color grading not required).

Flexible exposure mode

Flexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed, and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.
Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.
Fast, easy and reliable Real-time Tracking and Eye AF

Fast, easy and reliable Real-time Tracking and Eye AF

Focus control is fast and intuitive, to ensure you have full creative control of the FX3's powerful AF technology. Real-time Tracking greatly assists during solo shooting by analyzing the subject's color, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.
De-squeeze display9 for anamorphic lens

De-squeeze display9 for anamorphic lens

When shooting with anamorphic lenses, you can choose a de-squeeze ratio (1.3 x or 2.0 x) in the menu to display the movie with horizontal correction on the LCD monitor, according to the ratio of the attached anamorphic lens.
Selectable shutter angle and speed

Selectable shutter angle and speed

Users can switch between displaying shutter speed, or shutter angle for fluid and familiar videography.
Compensation for focus breathing

Compensation for focus breathing

With the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when you used with compatible lenses10. The breathing metadata can also be recorded so that you can apply compensation with the latest Catalyst Browse/Prepare Plugin software during post-production.
Fast, easy touch-focus control11

Fast, easy touch-focus control11

Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation-ensuring you have full creative control of the FX3's powerful AF technology.
In-body optical image stabilization for handheld shooting

In-body optical image stabilization for handheld shooting

Relying on a new high-precision stabilization unit, gyro sensors, and optimized image stabilization algorithms, the camera's Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording12, 13, even while walking. With this unprecedented level of stabilization it's possible to shoot with the camera only, taking advantage of the compact size and mobility.  [1] Track of camera shake [2] Standard [3] Active.
XLR adaptor and digital input for quality audio

XLR adaptor and digital input for quality audio

The handle of the FX3 includes two independent full-size XLR connectors (XLR/TRS combo) to connect external professional microphones through a digital audio interface via the Multi-Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.
HDMI Type-A output and monitoring options

HDMI Type-A output and monitoring options

With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera's LCD monitor, an HDMI-connected external recording or monitoring device.
Uninterrupted 4K 60p14 recording

Uninterrupted 4K 60p14 recording

For uninterrupted 4K 60p14 recording, the FX3 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized airflow and placement of heatsinks. When required, a silent15 cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.16.
REC lamps and highlighting during video recording

REC lamps and highlighting during video recording

There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.
Customizable buttons for professional movie creators

Customizable buttons for professional movie creators

The innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customizable keys and menus deliver streamlined workflows in the field. It's designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.
Various zoom operations tailor your expression

Various zoom operations tailor your expression

The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle-of-view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary reframing to purposeful cinematic zooms.
Cage-free accessory mounting

Cage-free accessory mounting

Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimized for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.
Touch-driven menu with workflow-based navigation

Touch-driven menu with workflow-based navigation

Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers' work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.
Flexible camera positioning with vari-angle monitor

Flexible camera positioning with vari-angle monitor

The FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal-mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low-angle shots. The 3.0-type, approximately 2.36 million-dot17 large touch panel LCD has high visibility and clarity.
Two CFexpress Type A-compatible media slots

Two CFexpress Type A-compatible media slots

The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.
Reliable, durable, and lightweight construction

Reliable, durable, and lightweight construction

For high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.
Reliable durability and weather resistance18 in tough situations

Reliable durability and weather resistance18 in tough situations

In response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers, and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.
Power for professional length

Power for professional length

For extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging18 or continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery15.
Flag clips for efficient post-production

Flag clips for efficient post-production

For complex shoots and faster editing turnaround, users can flag clips as OK, NG, or KEEP from the menu or a Custom button19. Flags are visible in the thumbnail view and in Catalyst software, for rapid filtering and selection during editing.
Wireless monitoring and remote control

Wireless monitoring and remote control

Connecting a smartphone or tablet to the camera with the Monitor & Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.
Data communications to support on-site workflow

Data communications to support on-site workflow

Wireless 5 GHz20/2.4 GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® terminal supporting SuperSpeed USB 5 Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.
Metadata to facilitate editing with Catalyst

Metadata to facilitate editing with Catalyst

Sony's Catalyst Browse and Prepare software are ideal production partners for the FX3. The camera records five types of metadata: LUTs, image stabilization, breathing, camera rotation, and Shot Marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.16.
Creators' Cloud platform

Creators' Cloud platform

Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.
General
CAMERA TYPE Interchangeable lens digital camera
LENS MOUNT E-mount
Size & Weight
WEIGHT (MAIN UNIT ONLY) (approx.) 1 lb 9.3 oz (715 g) (with battery and memory card included), 1 lb 6.3 oz (630 g) (body only)
WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.) 2 lb 3.8 oz (1.015 kg) (with XLR Handle, battery pack, SD card)
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.) 5.11 x 3.06 x 3.33 inches (129.7 mm x 77.8 mm x 84.5 mm) (body without protrusions)
Power
POWER CONSUMPTION [Movie] Approx. 7.3W (with FE 28–70 mm F3.5–5.6 OSS lens attached), [Still image] Approx. 3.5W (with FE 28–70 mm F3.5–5.6 OSS lens attached)
BATTERY OPERATING TIME Approx. 95 min (Actual recording, CIPA standard)21, Approx. 135 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard)
Operation
OPERATING TEMPERATURE 32 °F to 104 °F (0 °C to 40 °C)
STORAGE TEMPERATURE –4 °F to +131 °F, –20 °C to +55 °C
Recording Format (Video)
XAVC HS [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200 Mbps 4:2:0 10bit MPEG-H HEVC / H.265
XAVC S [XAVC S 4K] XAVC S 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264,
XAVC S-I [XAVC S-I 4K] XAVC S-I 4K 59.94p 600 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89 Mbps 4:2:2 10bit MPEG-4 AVC / H.264,
[XAVC S-I DCI 4K] XAVC S-I DCI 4K 59.94p 600 Mbps 4:2:2 10 bit MPEG-4 AVC/H.264, XAVC S-I DCI 4K 50p 500 Mbps 4:2:2 10 bit MPEG-4 AVC/H.264, XAVC S-I DCI 4K 29.97p 300 Mbps 4:2:2 10 bit MPEG-4 AVC/H.264, XAVC S-I DCI 4K 25p 250 Mbps 4:2:2 10 bit MPEG-4 AVC/H.264, XAVC S-I DCI 4K 23.98p/24.00p 240 Mbps 4:2:2 10 bit MPEG-4 AVC/H.264
Recording Format (Audio)
RECORDING FORMAT (AUDIO) LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch
Recording Frame Rate
XAVC HS [XAVC HS 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 23.98p
XAVC S [XAVC S 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p
XAVC S-I [XAVC S-I 4K] 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p
XAVC S-I DCI [XAVC S-I DCI 4K] 4096 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p, 24.00p
Slow & Quick Motion
XAVC HS XAVC HS 4K: [NTSC mode] 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, [PAL mode] 1 fps, 2 fps, 3 fps, 6 fps, 12 fps, 25 fps, 50 fps, 100 fps
XAVC S XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps22, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps22
XAVC S-I XAVC S-I 4K: [NTSC mode] 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, [PAL mode] 1 fps, 2 fps, 3 fps, 6 fps, 12 fps, 25 fps,　50 fps, 100 fps, XAVC S-I HD: [NTSC mode] 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, 240 fps22, [PAL mode] 1 fps, 2 fps, 3 fps, 6 fps, 12 fps, 25 fps, 50 fps, 100 fps, 200 fps22
XAVC S-I DCI 4K: 24.00p: 1 fps, 2 fps, 3 fps, 6 fps, 12 fps, 24 fps, 48 fps, [NTSC mode] 59.94p/29.97p/23.98p: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, [PAL mode] 50p/25p: 1 fps, 2 fps, 3 fps, 6 fps, 12 fps, 25 fps, 50 fps
Recording/ Playback Time
XAVC HS [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80 GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80 GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80 GB) Approx. 140 minutes
XAVC S [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80 GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80 GB) Approx. 210 minutes
XAVC S-I [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes
XAVC S-I DCI [XAVC S-I DCI 4K] 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes
PROXY AUDIO XAVC Proxy: AAC-LC, 128 kbps, 2 channels
PROXY VIDEO [XAVC HS HD] MPEG-H HEVC/H.265 1920 x 1080 4:2:0 10bit 16 Mbps, 1920 x 1080 4:2:0 10bit 9 Mbps, [XAVC S HD] MPEG-4 AVC/H.264 1280 x 720 4:2:0 8bit 6 Mbps
RAW Output
RAW Output HDMI: 4264 x 2408 (59.94p/50p/29.97p/25p/23.98p), 16bit
Other Video Function
VIDEO FUNCTIONS Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector
Camera Section
SENSOR TYPE 35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
Pixels Approx. 10.3 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)
SENSITIVITY [Movie] ISO 80-102400 equivalent (Expandable to ISO 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (Expandable to ISO 40- 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit)
SHUTTER SPEED Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 s, Bulb
White Balance
WHITE-BALANCE MODES Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Gamma
GAMMA CURVE Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Latitude
LATITUDE 15+ stop (S-Log3)
Focus System
Type Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS POINT [Movie] 627 points, [Still image] 35 mm full frame: 759 points (phase-detection AF)
SENSITIVITY RANGE EV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached)
FOCUS MODE [Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
FOCUS AREA [Movie] Wide/Zone/Center Fix/Spot/Expanded Spot [Still image] Wide/Zone/Center Fix/Spot/Expanded Spot/Tracking
OTHER FOCUS FEATURES Eye AF ([Movie] Human (Right/Left Eye Select, [Still image] Human (Right/Left Eye Select)/Animal), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still] AF Track Sens., Face detection (Face Priority in AF), Face Priority in Multi Metering, Regist. Faces Priority, Focus Magnifier (35 mm full frame: 2.1x/4.1x APS-C: 1.5x/3.0x)
Exposure Control
METERING SENSITIVITY EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached)
EXPOSURE MODES [Movie] Programmed AE (P)/Aperture priority (A)/Shutter-speed priority (S)/Manual (M)/Flexible Exp. Mode, [Still images] Programmed AE (P)/Aperture priority (A)/Shutter-speed priority (S)/Manual (M)
Recording (Still image)
RECORDING FORMAT JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
IMAGE SIZE Image size [3:2] 3 5mm full frame L :12 M, M: 5.1 M, S: 3.0 M, APS-C L: 5.1 M, M: 3.0 M, S: 1.3 M, Image size [4:3] 35 mm full frame L: 11 M, M: 4.6 M, S: 2.7 M, APS-C L: 4.6 M, M: 2.7 M, S: 1.1 M Image size, [16:9] 35 mm full frame L: 10 M, M: 4.3 M, S: 2.6 M, APS-C L: 4.3 M, M: 2.6 M, S: 1.1 M, Image size [1:1] 35 mm full frame L: 8 M, M: 3.4 M, S: 2.0 M, APS-C L: 3.4 M, M: 2.0 M, S: 0.8 M
Playback
PLAYBACK FUNCTIONS Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)
Interface
TC INPUT/TC OUTPUT Multi/Micro USB, TC IN23
AUDIO INPUT 0.14 " Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin (female) (x2), line/mic/mic +48 V selectable, Mic Reference –40 to –60 dBu / [INPUT3] 0.14 " Stereo minijack)
USB USB type-C
HEADPHONE OUTPUT Yes (3.5 mm Stereo minijack)
SPEAKER OUTPUT Built-in, monaural
HDMI OUTPUT HDMI jack (Type-A), YCbCr 4:2:2 10 bit / RGB 8 bit
MULTI INTERFACE SHOE With Digital Audio Interface
Bluetooth® Bluetooth Standard Ver. 5.0 (2.4 GHz band)
Media
MEDIA TYPE CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
Monitoring
LCD 7.5 cm (3.0-type) type, approx. 2.36 M dots, touch panel, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg.
Built-in Microphone
BUILT-IN MICROPHONE Built-in, stereo
File System
FILE SYSTEM FAT12, 16, 32, exFAT
Zoom
ZOOM FUNCTION Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x ), Digital zoom ([Movie] 35 mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35 mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35 mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M: approx. 1.3x, S: approx. 2x)
Still image function
SHUTTER Mechanical shutter/Electronic shutter
DRIVE MODES Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
CONTINUOUS SHOOTING SPEED Hi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps
NOISE REDUCTION Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal/Low/Off
FLASH CONTROL Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 s.
OTHER STILL IMAGE FUNCTION Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot24
Image Stabilization
Type Image Sensor-Shift mechanism with 5-axis compensation (compensation depends on lens specifications)
MODE [Movie] Active / Standard / Off, [Still image] On / Off
COMPENSATION EFFECT (STILL IMAGES) 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
Custom Function
CUSTOM FUNCTION Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set
Lens Compensation
LENS COMPENSATION Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Wi-Fi/NFC
SUPPORTED FORMAT IEEE 802.11a/b/g/n/ac
FREQUENCY BAND 2.4 GHz band/5 GHz band25
SECURITY WEP/WPA-PSK/WPA2-PSK
NFC ー
FTP Transfer
FTP Transfer Wired LAN (USB-LAN), USB Tethering, Wi-Fi
Supplied Accessories
SUPPLIED ACCESSORIES Rechargeable Battery NP-FZ100
Battery Charger BC-ZD126
XLR handle unit
Accessory shoe kit
Body cap
Accessory shoe cap
Handle shoe cap
SKU 68475
Minimum quantity allowed is 0.
Maximum quantity allowed is 0.
The product can be bought in quantity increments of 0.

FX3 Cinema Line Full-frame camera

The FX3 Cinema Line camera offers high sensitivity and full-frame cinematic expression in an amazingly compact design. With enhanced mobility for easy solo shooting, alongside pro operability, it's the ideal creative tool to capture a cinematic vision anywhere.
FX3 Cinema Line Full-frame camera
Image sensor with blazingly fast readout speed

Image sensor with blazingly fast readout speed

The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced color filter array boosts color reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.
High-performance image-processing engine

High-performance image-processing engine

The BIONZ XR™ image-processing engine is designed for high speed, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data-transfer, user-interface, and other camera operations.
High sensitivity, wide dynamic range

High sensitivity, wide dynamic range

The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimizing the sensor's output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops1, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production.
4K High Frame Rate 120fps recording

4K High Frame Rate 120fps recording

You can record full-frame 4K (QFHD) at up to 120fps2 with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time)3. The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting.
Acclaimed cinematic color with S-Cinetone™

Acclaimed cinematic color with S-Cinetone™

The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic color to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction even without post-production grading.  [1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11).
All-Intra internal recording

All-Intra internal recording

In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported4. XAVC S-I recording compresses each frame independently at a high bit rate, up to 600 Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production.  [1] All-Intra (All-I)   [2] Long-GOP  [3] Group of Pictures.
HEVC codec with high compression efficiency

HEVC codec with high compression efficiency

XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes5.
DCI 4K recording in true 24p6

DCI 4K recording in true 24p6

The FX3 allows you to shoot in a wide range of formats to suit your shooting needs. You can also select XAVC S-I DCI 4K (4096 x 2160) format which is often used in cinema shooting. And true 24p (24.00p) can be an option for recording frame rate when you selecting XAVC S-I DCI 4K.

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post-production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K7 workflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).
New S-Log shooting modes for optimized image quality

New S-Log shooting modes for optimized image quality

Three modes are provided for recording with the S-Log3 gamma curve. Cine EI5, used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Eine EI Quick5 simplifies setup by automatically switching the camera's base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709, 709tone and ITU709 have been added to the available LUT presets.
Proxy recording for more efficient editing workflow

Proxy recording for more efficient editing workflow

Low-bit-rate HD proxy files can be recorded simultaneously with higher-bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720)8.
Expand your vision with Creative Look

Expand your vision with Creative Look

Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favorite settings as a custom look.
10-bit HLG picture profile

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout, and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (color grading required) [2] Instant high-quality image (color grading not required).

Flexible exposure mode

Flexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed, and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.
Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.
Fast, easy and reliable Real-time Tracking and Eye AF

Fast, easy and reliable Real-time Tracking and Eye AF

Focus control is fast and intuitive, to ensure you have full creative control of the FX3's powerful AF technology. Real-time Tracking greatly assists during solo shooting by analyzing the subject's color, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.
De-squeeze display9 for anamorphic lens

De-squeeze display9 for anamorphic lens

When shooting with anamorphic lenses, you can choose a de-squeeze ratio (1.3 x or 2.0 x) in the menu to display the movie with horizontal correction on the LCD monitor, according to the ratio of the attached anamorphic lens.
Selectable shutter angle and speed

Selectable shutter angle and speed

Users can switch between displaying shutter speed, or shutter angle for fluid and familiar videography.
Compensation for focus breathing

Compensation for focus breathing

With the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when you used with compatible lenses10. The breathing metadata can also be recorded so that you can apply compensation with the latest Catalyst Browse/Prepare Plugin software during post-production.
Fast, easy touch-focus control11

Fast, easy touch-focus control11

Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation-ensuring you have full creative control of the FX3's powerful AF technology.
In-body optical image stabilization for handheld shooting

In-body optical image stabilization for handheld shooting

Relying on a new high-precision stabilization unit, gyro sensors, and optimized image stabilization algorithms, the camera's Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording12, 13, even while walking. With this unprecedented level of stabilization it's possible to shoot with the camera only, taking advantage of the compact size and mobility.  [1] Track of camera shake [2] Standard [3] Active.
XLR adaptor and digital input for quality audio

XLR adaptor and digital input for quality audio

The handle of the FX3 includes two independent full-size XLR connectors (XLR/TRS combo) to connect external professional microphones through a digital audio interface via the Multi-Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.
HDMI Type-A output and monitoring options

HDMI Type-A output and monitoring options

With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera's LCD monitor, an HDMI-connected external recording or monitoring device.
Uninterrupted 4K 60p14 recording

Uninterrupted 4K 60p14 recording

For uninterrupted 4K 60p14 recording, the FX3 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized airflow and placement of heatsinks. When required, a silent15 cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.16.
REC lamps and highlighting during video recording

REC lamps and highlighting during video recording

There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.
Customizable buttons for professional movie creators

Customizable buttons for professional movie creators

The innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customizable keys and menus deliver streamlined workflows in the field. It's designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.
Various zoom operations tailor your expression

Various zoom operations tailor your expression

The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle-of-view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary reframing to purposeful cinematic zooms.
Cage-free accessory mounting

Cage-free accessory mounting

Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimized for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.
Touch-driven menu with workflow-based navigation

Touch-driven menu with workflow-based navigation

Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers' work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.
Flexible camera positioning with vari-angle monitor

Flexible camera positioning with vari-angle monitor

The FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal-mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low-angle shots. The 3.0-type, approximately 2.36 million-dot17 large touch panel LCD has high visibility and clarity.
Two CFexpress Type A-compatible media slots

Two CFexpress Type A-compatible media slots

The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.
Reliable, durable, and lightweight construction

Reliable, durable, and lightweight construction

For high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.
Reliable durability and weather resistance18 in tough situations

Reliable durability and weather resistance18 in tough situations

In response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers, and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.
Power for professional length

Power for professional length

For extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging18 or continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery15.
Flag clips for efficient post-production

Flag clips for efficient post-production

For complex shoots and faster editing turnaround, users can flag clips as OK, NG, or KEEP from the menu or a Custom button19. Flags are visible in the thumbnail view and in Catalyst software, for rapid filtering and selection during editing.
Wireless monitoring and remote control

Wireless monitoring and remote control

Connecting a smartphone or tablet to the camera with the Monitor & Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.
Data communications to support on-site workflow

Data communications to support on-site workflow

Wireless 5 GHz20/2.4 GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® terminal supporting SuperSpeed USB 5 Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.
Metadata to facilitate editing with Catalyst

Metadata to facilitate editing with Catalyst

Sony's Catalyst Browse and Prepare software are ideal production partners for the FX3. The camera records five types of metadata: LUTs, image stabilization, breathing, camera rotation, and Shot Marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.16.
Creators' Cloud platform

Creators' Cloud platform

Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

Cinema Line full-frame ultra compact camera with Fast Hybrid & Real-time Eye AF, 4K (Quad Full High Definition) high-frame-rate 120fps, 15+ stop dynamic range, and S-Cinetone color science.

The Sony FX3 is perfect for solo shooters, travel use, and as a secondary camera with its compact design. With a blend of features from the Cinema Line and Alpha series, this portable cinema camera is optimized for on-the-go filming. You'll find all the expected high-quality imaging capabilities, but in a new lightweight, handheld body that allows for direct attachment of accessories without a cage.

In Service Of Cinematic Expression

Full-Frame Image Capture Even In Dim Light

The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.

Wide Dynamic Range, Wider Creative Expression

The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in color grading.

Stunning Bokeh And Full-Frame Creativity

Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.

Cinematic Color Science Of S-Cinetone

S-Cinetone color, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich color and natural skin tones that match other Cinema Line cameras without grading.

4K 120Fps2 With Every Frame In Focus 

Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).

10-Bit S-Log3 And HDR Recording For Smooth Gradations

S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality color reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.

16-Bit Raw HDMI Output 

For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4.

Enjoy Rich Detail And Realistic Color

The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 color sampling with All Intra on top of Long-GOP compression. This makes it possible to push your color grades further while still retaining natural gradation, for true editing freedom.

[1] All-Intra (All-I)
[2] Long-GOP
[3] Group of Pictures 

Compensation For Focus Breathing

With the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when you used with compatible lenses5.

The breathing metadata can also be recorded so that you can apply compensation with the latest Catalyst Browse/Prepare Plugin software during post-production.

Designed for Comfortable Solo Shooting

Dependable, Highly Accurate Autofocus

The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame6.  The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2.

Sophisticated Tracking AF for Steady Focus

Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.

Smooth Transitions And Touch Focus Control

The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customize how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.

Advantages Of Sony’s Lenses For Video Shooting

Learn the four unique advantages of using Sony's E-mount lens for video shooting. The combination of Sony's lenses and cameras will enhance your video creation experience.

High-Mobility Performance Wherever You Go

With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

Attachable XLR Handle

A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.7

In-Camera Image Stabilization

Active Mode8,9,10 is an optical in-body 5-axis image stabilization system that provides increased stabilization for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.7

[1, 2] angular shake (pitch and yaw)
[3, 4] shift shake (X and Y axes),
[5] rotational shake (roll on Z axis)

Image Stabilization And Easier Editing With Catalyst

Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilized in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.7

Expandability and Operability for Content Creators

Front and Rear Tally Lamps 

Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.

Vari-angle LCD Touch-Panel Monitor

The 3.0-type (2.36 million-dot11) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.

Essential Controls For Efficient Solo Shooting

In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.

Uninterrupted 4K/60p12 Recording

For uninterrupted 4K/60p12 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.7

Xlr Adaptor And Digital Input For Quality Audio

In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. 

Dual High-Speed Media Slots 

Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.

Wireless Monitoring And Remote Control

Connecting a smartphone or tablet to the camera with the Monitor & Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.

Upload Videos To The Could Or Your Smartphone

Creators' App is a smartphone application that allows you to connect your Sony camera to the cloud, enhancing functionality and convenience for shooting and sharing.

Creators' Cloud Platform

Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

Features:

  • 4K Full-Frame Sensor w/ 15+ Stop Dynamic Range3 And High Sensitivity
  • S-Cinetone, Expressive Cinematic Look Inspired by VENICE Colorimetry
  • Up to 4K 120p1 10-bit 4:2:2 and full pixel readout in all rec. modes
  • Compact cage free design w/ ¼”-20 mounting points and XLR top handle
  • Uninterrupted4 4K 60p rec. w/ cooling fan for effective heat sink
  • XLR on top handle, digital MI shoe and 3.5mm jack audio options 
  • Direct Iris, ISO and Shutter exposure control, optimized for video
  • Real-time Eye-AF5 and Real-time AF tracking for movie shooting
  • 5-Axis in-body image stabilization with selectable Active mode6
  • Designed for movie shooting including Zoom lever and Tally lights
  • ISO2 up to 409,600 w/ low noise even at higher ISO
  • Incredible autofocus w/ 627 phase detection AF points, 89% coverage7
  • 7x Adjustable AF Transition Speeds, 5x AF Subject Shift Sensitivity
  • Up to 4K 120p1 in XAVC S, XAVC HS (Long GOP) and XAVC S-I (All-I) 
  • Picture Profiles including S-Cinetone, HLG8 and S-Log 2 & 3
  • 10 in-camera customizable Creative Looks for stills and movies
  • 16-bit RAW movie output up to 4K 60p via HDMI Type-A connector9
  • Fast readout for high frame rates, fast AF, minimal rolling shutter
  • Dual card slots, both compatible with CFexpress Type A and SDXC/SDHC
  • Rigid magnesium alloy body w/ dust and moisture resistant sealing10
  • Smallest Cinema Line camera optimized for solo movie shooting
  • 12.1MP11 JPEG, RAW and HEIF still image options up to 10fps with AF/AE
  • Fast BIONZ XR processing engine delivers 8x more processing power12
  • Visible Light and IR Sensor improves WB accuracy in artificial light
  • No 29m up to 50s continuous recording limit for movie shooting
  • Imaging Edge mobile application13 for camera control and file transfer
  • Mobile tethering for LTE 4/5 G live streaming and FTP data transfer
  • SuperSpeed USB-C with power delivery14 and Ethernet wired LAN15
  • High-speed 2.4 and 5GHz Wi-Fi16 / FTP transfer and wireless PC remote16
  • 3” Flip-out, vari-angle LCD monitor w/ touch menu and controls
  • New menu layout w/ intuitive 3 level structure and touch navigation
  • Long Z-battery life extendable via USB Type C with Power Delivery14
  • E-Mount maximized with 59 Sony E-Mount lenses (as of Feb 2021)

Compatible With:

Lenses:

  • Sony E Mount Lenses

Product SKU:

ILME-FX3A

In The Box:

Sony FX3 Full-Frame Cinema Camera
Sony XLR-H1 XLR Handle Unit
Accessory Shoe Cap
Accessory Shoe Kit
Sony BC-ZD1 Battery Charger
Body Cap
Handle Shoe Cap
Power Cord
Sony NP-FZ100 Battery (2280mAh)
USB Type-A to Type-C Cable (USB 3.2)
Limited 1-Year Manufacturer Warranty

 

 

Note: This is the Camera Body only. Lenses & Memory Cards are sold separately. 

 

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Footnotes:

1    120p has a 1.1x crop. XAVC S-I 4K 60p 10-bit 4:2:2 requires SDXC V90 or faster. XAVC S / XAVC HS 4K 120p 10-bit 4:2:2 requires SDXC V60 or faster. XAVC S HD 240p 10-bit 4:2:2 requires SDXC V60 or faster. XAVC S-I (S&Q) 4K 120p 10-bit 4:2:2 requires CFexpress Type A (VPG200 or higher). CFexpress Type A supports all internal shooting modes.
2    ISO range: [Stills] 80-102,400 (Standard), 40-409,600 (Expanded), [Movies] 80-102,400 (Standard), 80-409,600 (Expanded)
3    Movie shooting with S-Log 3. Sony test conditions. May require color grading.
4    Uninterrupted 4K 60p recording based on Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C / 77 deg F (ambient, camera temperature when recording started), Auto power off temperature: High, Cooing fan: Auto.  The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit)
5    Human & animal. Animal Eye-AF not available in movie mode.
6    Slight 1.1x (10%) image crop in Active Mode. “Standard” setting recommended for focal lengths of 200mm or longer. Active Mode is not available when recording at frame rates of 120 fps (100 fps PAL) or higher, or when using S&Q.
7    Maximum AF points and area coverage. This varies according to the recording modes. 627 phase detection AF points with 89% coverage for movie. 759 phase detection AF points with 92% coverage for stills.
8    HLG is a high dynamic range TV format specified by the international ITU-R BT.2100 standard
9    Requires optional compatible external recorder.
10    Not guaranteed to be 100% dust and water resistant.
11    10.2 effective megapixels for movies and 12.1 effective megapixels for stills.
12    Compared to previous BIONZ X processing engine.
13    Latest version Image Edge desktop application is required. Available for free for iOS and Android. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
14    USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adapter used and camera operating conditions.
15    Via optional adaptor
16    Models sold in some countries/regions support IEEE 802.11b/g/n (2.4 GHz) only. 5GHz communication may be restricted in some countries and regions.
17    Audio recording not available in the S&Q mode.
18    Supported in Catalyst Browse/Prepare Version 2020.1 or later. Image stabilization metadata that can be used by Catalyst is generated when using a Sony E-mount lens with the camera’s optical image stabilization set to [OFF] or [Active].
19    USB PD compatible power supply and USB cable are not included for the Battery Charger BC-ZD1 (supplied). Simultaneous two-battery charging requires a USB PD compatible power supply that can deliver 30W or higher. Single-battery charging requires a USB PD compatible power supply that can deliver 18W or higher. A USB cable that can handle 3A or more is required in both cases.