Sony FX3 Full-Frame Cinema Camera

Cinema Line full-frame ultra compact camera with Fast Hybrid & Real-time Eye AF, 4K (Quad Full High Definition) high-frame-rate 120fps, 15+ stop dynamic range, and S-Cinetone color science.

The Sony FX3 is perfect for solo shooters, travel use, and as a secondary camera with its compact design. With a blend of features from the Cinema Line and Alpha series, this portable cinema camera is optimized for on-the-go filming. You'll find all the expected high-quality imaging capabilities, but in a new lightweight, handheld body that allows for direct attachment of accessories without a cage.

In Service Of Cinematic Expression

Full-Frame Image Capture Even In Dim Light

The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.

Wide Dynamic Range, Wider Creative Expression

The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in color grading.

Stunning Bokeh And Full-Frame Creativity

Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.

Cinematic Color Science Of S-Cinetone

S-Cinetone color, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich color and natural skin tones that match other Cinema Line cameras without grading.

4K 120Fps2 With Every Frame In Focus 

Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).

10-Bit S-Log3 And HDR Recording For Smooth Gradations

S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality color reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.

16-Bit Raw HDMI Output 

For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4.

Enjoy Rich Detail And Realistic Color

The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 color sampling with All Intra on top of Long-GOP compression. This makes it possible to push your color grades further while still retaining natural gradation, for true editing freedom.

[1] All-Intra (All-I)
[2] Long-GOP
[3] Group of Pictures 

Compensation For Focus Breathing

With the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when you used with compatible lenses5.

The breathing metadata can also be recorded so that you can apply compensation with the latest Catalyst Browse/Prepare Plugin software during post-production.

Designed for Comfortable Solo Shooting

Dependable, Highly Accurate Autofocus

The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame6.  The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2.

Sophisticated Tracking AF for Steady Focus

Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.

Smooth Transitions And Touch Focus Control

The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customize how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.

Advantages Of Sony’s Lenses For Video Shooting

Learn the four unique advantages of using Sony's E-mount lens for video shooting. The combination of Sony's lenses and cameras will enhance your video creation experience.

High-Mobility Performance Wherever You Go

With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

Attachable XLR Handle

A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.7

In-Camera Image Stabilization

Active Mode8,9,10 is an optical in-body 5-axis image stabilization system that provides increased stabilization for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.7

[1, 2] angular shake (pitch and yaw)
[3, 4] shift shake (X and Y axes),
[5] rotational shake (roll on Z axis)

Image Stabilization And Easier Editing With Catalyst

Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilized in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.7

Expandability and Operability for Content Creators

Front and Rear Tally Lamps 

Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.

Vari-angle LCD Touch-Panel Monitor

The 3.0-type (2.36 million-dot11) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.

Essential Controls For Efficient Solo Shooting

In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.

Uninterrupted 4K/60p12 Recording

For uninterrupted 4K/60p12 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.7

Xlr Adaptor And Digital Input For Quality Audio

In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. 

Dual High-Speed Media Slots 

Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.

Wireless Monitoring And Remote Control

Connecting a smartphone or tablet to the camera with the Monitor & Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.

Upload Videos To The Could Or Your Smartphone

Creators' App is a smartphone application that allows you to connect your Sony camera to the cloud, enhancing functionality and convenience for shooting and sharing.

Creators' Cloud Platform

Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

Features:

• 4K Full-Frame Sensor w/ 15+ Stop Dynamic Range3 And High Sensitivity
• S-Cinetone, Expressive Cinematic Look Inspired by VENICE Colorimetry
• Up to 4K 120p1 10-bit 4:2:2 and full pixel readout in all rec. modes
• Compact cage free design w/ ¼”-20 mounting points and XLR top handle
• Uninterrupted4 4K 60p rec. w/ cooling fan for effective heat sink
• XLR on top handle, digital MI shoe and 3.5mm jack audio options 
• Direct Iris, ISO and Shutter exposure control, optimized for video
• Real-time Eye-AF5 and Real-time AF tracking for movie shooting
• 5-Axis in-body image stabilization with selectable Active mode6
• Designed for movie shooting including Zoom lever and Tally lights
• ISO2 up to 409,600 w/ low noise even at higher ISO
• Incredible autofocus w/ 627 phase detection AF points, 89% coverage7
• 7x Adjustable AF Transition Speeds, 5x AF Subject Shift Sensitivity
• Up to 4K 120p1 in XAVC S, XAVC HS (Long GOP) and XAVC S-I (All-I) 
• Picture Profiles including S-Cinetone, HLG8 and S-Log 2 & 3
• 10 in-camera customizable Creative Looks for stills and movies
• 16-bit RAW movie output up to 4K 60p via HDMI Type-A connector9
• Fast readout for high frame rates, fast AF, minimal rolling shutter
• Dual card slots, both compatible with CFexpress Type A and SDXC/SDHC
• Rigid magnesium alloy body w/ dust and moisture resistant sealing10
• Smallest Cinema Line camera optimized for solo movie shooting
• 12.1MP11 JPEG, RAW and HEIF still image options up to 10fps with AF/AE
• Fast BIONZ XR processing engine delivers 8x more processing power12
• Visible Light and IR Sensor improves WB accuracy in artificial light
• No 29m up to 50s continuous recording limit for movie shooting
• Imaging Edge mobile application13 for camera control and file transfer
• Mobile tethering for LTE 4/5 G live streaming and FTP data transfer
• SuperSpeed USB-C with power delivery14 and Ethernet wired LAN15
• High-speed 2.4 and 5GHz Wi-Fi16 / FTP transfer and wireless PC remote16
• 3” Flip-out, vari-angle LCD monitor w/ touch menu and controls
• New menu layout w/ intuitive 3 level structure and touch navigation
• Long Z-battery life extendable via USB Type C with Power Delivery14
• E-Mount maximized with 59 Sony E-Mount lenses (as of Feb 2021)

Compatible With:

Lenses:

• Sony E Mount Lenses

Product SKU:

ILME-FX3A

In The Box:

Sony FX3 Full-Frame Cinema Camera
Sony XLR-H1 XLR Handle Unit
Accessory Shoe Cap
Accessory Shoe Kit
Sony BC-ZD1 Battery Charger
Body Cap
Handle Shoe Cap
Power Cord
Sony NP-FZ100 Battery (2280mAh)
USB Type-A to Type-C Cable (USB 3.2)
Limited 1-Year Manufacturer Warranty

Note: This is the Camera Body only. Lenses & Memory Cards are sold separately. 

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Footnotes:

1    120p has a 1.1x crop. XAVC S-I 4K 60p 10-bit 4:2:2 requires SDXC V90 or faster. XAVC S / XAVC HS 4K 120p 10-bit 4:2:2 requires SDXC V60 or faster. XAVC S HD 240p 10-bit 4:2:2 requires SDXC V60 or faster. XAVC S-I (S&Q) 4K 120p 10-bit 4:2:2 requires CFexpress Type A (VPG200 or higher). CFexpress Type A supports all internal shooting modes.
2    ISO range: [Stills] 80-102,400 (Standard), 40-409,600 (Expanded), [Movies] 80-102,400 (Standard), 80-409,600 (Expanded)
3    Movie shooting with S-Log 3. Sony test conditions. May require color grading.
4    Uninterrupted 4K 60p recording based on Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C / 77 deg F (ambient, camera temperature when recording started), Auto power off temperature: High, Cooing fan: Auto.  The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit)
5    Human & animal. Animal Eye-AF not available in movie mode.
6    Slight 1.1x (10%) image crop in Active Mode. “Standard” setting recommended for focal lengths of 200mm or longer. Active Mode is not available when recording at frame rates of 120 fps (100 fps PAL) or higher, or when using S&Q.
7    Maximum AF points and area coverage. This varies according to the recording modes. 627 phase detection AF points with 89% coverage for movie. 759 phase detection AF points with 92% coverage for stills.
8    HLG is a high dynamic range TV format specified by the international ITU-R BT.2100 standard
9    Requires optional compatible external recorder.
10    Not guaranteed to be 100% dust and water resistant.
11    10.2 effective megapixels for movies and 12.1 effective megapixels for stills.
12    Compared to previous BIONZ X processing engine.
13    Latest version Image Edge desktop application is required. Available for free for iOS and Android. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
14    USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adapter used and camera operating conditions.
15    Via optional adaptor
16    Models sold in some countries/regions support IEEE 802.11b/g/n (2.4 GHz) only. 5GHz communication may be restricted in some countries and regions.
17    Audio recording not available in the S&Q mode.
18    Supported in Catalyst Browse/Prepare Version 2020.1 or later. Image stabilization metadata that can be used by Catalyst is generated when using a Sony E-mount lens with the camera’s optical image stabilization set to [OFF] or [Active].
19    USB PD compatible power supply and USB cable are not included for the Battery Charger BC-ZD1 (supplied). Simultaneous two-battery charging requires a USB PD compatible power supply that can deliver 30W or higher. Single-battery charging requires a USB PD compatible power supply that can deliver 18W or higher. A USB cable that can handle 3A or more is required in both cases.